Struggled to decide if this was a romance novel gone wrong, a story of a struggling artist, a chronicle on how & where to fish or a satirical farce. If it was any of these, did not work for me. 1/4 of the book is a primer on fishing, the rest bounces off the walls, trying to hit something, failing. What a romp through the absurd this novel is. Much time spent in cold creeks with nasty lures and mucky wading boots. The author kind of made the painter into a weeble wobble, he kept being punched at yet came back for more and more . The plots kind of remind me of a tv show I watched a few times. "Justified", a show about bubba dudes and dudesses in Harlen County Kentucky, the characters are portrayed as intelligent dummies, much like this novel. The Painter offers shallow, silly women, dare I say "bimbo's". The "painter" himself is a hapless "psychopath" who romps through life with no self check ability. He supposedly never means any of the harm he manages to encounter, just happens, right. Not to ruin a plot twist/surprise, but at one point a bullet is fired into the night, from a hand gun, with no light, landing hundreds of yards away and claiming it's prey. Haha, right, "I shot an arrow in the sky". It's a quick read, especially when you can Evelyn Woods it through all the tedious fishing. Yes, I know, the fishing, and the painting, were meant to be symbolic, but, it is only symbolic if the reader cares, and, this one did not !
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There is general agreement that syntactic support is desirable to the current state of affairs. Guido mentioned syntactic support for decorators [2] in his DevDay keynote presentation at the 10th Python Conference [3], though he later said [5] it was only one of several extensions he proposed there "semi-jokingly". Michael Hudson raised the topic [4] on python-dev shortly after the conference, attributing the initial bracketed syntax to an earlier proposal on comp.lang.python by Gareth McCaughan [6].
John Mansell Smith has been a self-employed painter & decorator for four years. He explains what it’s like to run your own business. “I became a self-employed painter & decorator when I took early retirement from my professional job in London, where I was employed as a Principal Building Surveyor. When I retired, I needed some additional income to supplement my pension, and having been in the building industry I was fully aware of the standard and quality which would be required to produce work to a professional standard. For a typical day at work, I usually arrive at the job at 8.30 am, and then depending on the sort of work I am doing it will vary a great deal. I could be undertaking external decorations or internal decorations, but in each case it would require covering and protecting the client's furniture, preparation of surfaces, washing down the walls, painting, wallpapering, cleaning up, etc. I try to leave at about 4.30 pm, but this may vary depending on the stage that I have reached with the job. In terms of likes and dislikes, I don’t enjoy working outside in poor weather, although I try to plan my workload to avoid this. However, I do like the freedom of being my own boss and getting complimented on a good job. If you wanted to be a painter and decorator, you would have to decide whether you wish to work for a company with the benefits such as holiday pay, but with the constraints of not being your own boss, or working for yourself with the freedom this gives but also the uncertainty of workload. As a self-employed person I can charge about £15 per hour for work that I do on an hourly rate, or I base any calculations on this rate when I am producing an estimate for a client. In attempting to find work, I would try the job centre, trade journals, large decorating companies, the internet and building training boards. To do the job you need to be a clean, neat worker with an eye for detail. The job you produce is the final result that the client will see, so it is vital that you can produce a finished job that you would be happy to have in your own home.
Digital painting is a method of creating an art object (painting) digitally and/or a technique for making digital art in the computer. As a method of creating an art object, it adapts traditional painting medium such as acrylic paint, oils, ink, watercolor, etc. and applies the pigment to traditional carriers, such as woven canvas cloth, paper, polyester etc. by means of computer software driving industrial robotic or office machinery (printers). As a technique, it refers to a computer graphics software program that uses a virtual canvas and virtual painting box of brushes, colors and other supplies. The virtual box contains many instruments that do not exist outside the computer, and which give a digital artwork a different look and feel from an artwork that is made the traditional way. Furthermore, digital painting is not 'computer-generated' art as the computer does not automatically create images on the screen using some mathematical calculations. On the other hand, the artist uses his own painting technique to create the particular piece of work on the computer.[25]
HIX Restaurants are looking for bright and passionate individuals to work in a fast paced, vibrant and dynamic environment. We are currently seeking an experienced individual to work at HIX Soho in London’s West End.This is a great opportunity to work with chef, restaurateur and food writer Mark Hix, who has restaurants in London and Dorset, all serving the best of British seasonal produce. Bartending experience will be considered a bonus for the role. Experience in a similar role and a basic command of English is essential. You will be motivated, hardworking and able to cope with a demanding role. Duties will include: Cleaning Helping set up the restaurant/bar areas. Polishing glassware, cutlery and plates. Running food We strive for casual excellence throughout the group – have you got it? In return for your hard work, we are offering a competitive London wage and staff benefits to include: • up to 50% staff discount across all HIX restaurants • 28 days holiday rising by 1 day per year to 33 days • Staff food (AM & PM) • £500 recruitment initiative All applicants must either be eligible to live and work in the UK or must obtain permits to work in the UK prior to application. Documented evidence of eligibility will be required from candidates as part of the recruitment process. Because we receive a lot of applications we’re simply not able to reply to all of them direc
Two decorators (classmethod() and staticmethod()) have been available in Python since version 2.2. It's been assumed since approximately that time that some syntactic support for them would eventually be added to the language. Given this assumption, one might wonder why it's been so difficult to arrive at a consensus. Discussions have raged off-and-on at times in both comp.lang.python and the python-dev mailing list about how best to implement function decorators. There is no one clear reason why this should be so, but a few problems seem to be most divisive.
The primary objection to this form is that it requires "peeking inside" the method body to determine the decorators. In addition, even though the code is inside the method body, it is not executed when the method is run. Guido felt that docstrings were not a good counter-example, and that it was quite possible that a 'docstring' decorator could help move the docstring to outside the function body.

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Modern and Contemporary Art has moved away from the historic value of craft and documentation in favour of concept, leading some to say, in the 1960s, that painting as a serious art form is dead.[clarification needed] This has not deterred the majority of living painters from continuing to practice painting either as whole or part of their work. The vitality and versatility of painting in the 21st century defies the previous "declarations" of its demise. In an epoch characterized by the idea of pluralism, there is no consensus as to a representative style of the age. Artists continue to make important works of art in a wide variety of styles and aesthetic temperaments—their merits are left to the public and the marketplace to judge.
As the leader in providing painter education programs, we enhance the Painter Decorator Academy, with our Painter Educators, our DVD education program, our Painting Curriculum including hands-on practical learning, and job opportunities for graduates on various painting projects. That means Painter School Graduates can find jobs with increased earning potential, the ability to work steady, fulltime hours, and to have career choices within the painting industry.
Hyperrealism is a genre of painting and sculpture resembling a high-resolution photograph. Hyperrealism is a fully fledged school of art and can be considered an advancement of Photorealism by the methods used to create the resulting paintings or sculptures. The term is primarily applied to an independent art movement and art style in the United States and Europe that has developed since the early 2000s.[37]

Now, assume one also desires the ability to add borders to windows. Again, the original Window class has no support. The ScrollingWindow subclass now poses a problem, because it has effectively created a new kind of window. If one wishes to add border support to many but not all windows, one must create subclasses WindowWithBorder and ScrollingWindowWithBorder etc. This problem gets worse with every new feature or window subtype to be added. For the decorator solution, we simply create a new BorderedWindowDecorator—at runtime, we can decorate existing windows with the ScrollingWindowDecorator or the BorderedWindowDecorator or both, as we see fit. Notice that if the functionality needs to be added to all Windows, you could modify the base class and that will do. On the other hand, sometimes (e.g., using external frameworks) it is not possible, legal, or convenient to modify the base class.
The discussion continued on and off on python-dev from February 2002 through July 2004. Hundreds and hundreds of posts were made, with people proposing many possible syntax variations. Guido took a list of proposals to EuroPython 2004 [7], where a discussion took place. Subsequent to this, he decided that we'd have the Java-style [10] @decorator syntax, and this appeared for the first time in 2.4a2. Barry Warsaw named this the 'pie-decorator' syntax, in honor of the Pie-thon Parrot shootout which occurred around the same time as the decorator syntax, and because the @ looks a little like a pie. Guido outlined his case [8] on Python-dev, including this piece [9] on some of the (many) rejected forms.
Component Interface: The component interface is an abstraction describing the behaviors of the components that you will eventually use in your program. Any objects that will use these components will do so through the interface, meaning that they are principally concerned with the abstraction (not the actual object). This is what allows both objects and wrapped objects to be considered to be the same type.
There have been a number of objections raised to this location -- the primary one is that it's the first real Python case where a line of code has an effect on a following line. The syntax available in 2.4a3 requires one decorator per line (in a2, multiple decorators could be specified on the same line), and the final decision for 2.4 final stayed one decorator per line.
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The .__init__() method must store a reference to the function and can do any other necessary initialization. The .__call__() method will be called instead of the decorated function. It does essentially the same thing as the wrapper() function in our earlier examples. Note that you need to use the functools.update_wrapper() function instead of @functools.wraps.
Component Interface: The component interface is an abstraction describing the behaviors of the components that you will eventually use in your program. Any objects that will use these components will do so through the interface, meaning that they are principally concerned with the abstraction (not the actual object). This is what allows both objects and wrapped objects to be considered to be the same type.

The invention of photography had a major impact on painting. In the decades after the first photograph was produced in 1829, photographic processes improved and became more widely practiced, depriving painting of much of its historic purpose to provide an accurate record of the observable world. A series of art movements in the late 19th and early 20th centuries—notably Impressionism, Post-Impressionism, Fauvism, Expressionism, Cubism, and Dadaism—challenged the Renaissance view of the world. Eastern and African painting, however, continued a long history of stylization and did not undergo an equivalent transformation at the same time.[citation needed]
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