Gouache is a water-based paint consisting of pigment and other materials designed to be used in an opaque painting method. Gouache differs from watercolor in that the particles are larger, the ratio of pigment to water is much higher, and an additional, inert, white pigment such as chalk is also present. This makes gouache heavier and more opaque, with greater reflective qualities. Like all watermedia, it is diluted with water.[21]

- [John] When digital artists create expressive art, they tend to reach for a Corel Painter. Painter has a 27-year history of advancing what is possible on the digital canvas and continues to forge new ground. The latest 2019 edition featured here takes a short breather from brush-related features and concentrates on usability and workflow with a complete interface redesign. We'll highlight the new interface by taking on the assignment of creating five travel posters celebrating the great state of California.

Landscape painting is a term that covers the depiction of natural scenery such as mountains, valleys, trees, rivers, and forests, and especially art where the main subject is a wide view, with its elements arranged into a coherent composition. In other works landscape backgrounds for figures can still form an important part of the work. Sky is almost always included in the view, and weather is often an element of the composition. Detailed landscapes as a distinct subject are not found in all artistic traditions, and develop when there is already a sophisticated tradition of representing other subjects. The two main traditions spring from Western painting and Chinese art, going back well over a thousand years in both cases.
Painters and paperhangers stand for prolonged periods. Their jobs also require a considerable amount of climbing, bending, kneeling, crouching, crawling and reaching with arms raised overhead often on scaffolding, ladders, and working at heights. Painters often work outdoors but seldom in wet, cold or inclement weather. Painters wear masks to reduce exposure to hazardous materials or paint fumes when working in areas with poor ventilation. Much of the work is done alone requiring independent thinking, safety awareness and ability to communicate with the customer. Special equipment is often used; such as equipment for welding, for use while scaffolding, on booms and lifts.
The decorate() proposal was that no new syntax be implemented -- instead a magic function that used introspection to manipulate the following function. Both Jp Calderone and Philip Eby produced implementations of functions that did this. Guido was pretty firmly against this -- with no new syntax, the magicness of a function like this is extremely high:
Two decorators (classmethod() and staticmethod()) have been available in Python since version 2.2. It's been assumed since approximately that time that some syntactic support for them would eventually be added to the language. Given this assumption, one might wonder why it's been so difficult to arrive at a consensus. Discussions have raged off-and-on at times in both comp.lang.python and the python-dev mailing list about how best to implement function decorators. There is no one clear reason why this should be so, but a few problems seem to be most divisive.
There have been a number of objections raised to this location -- the primary one is that it's the first real Python case where a line of code has an effect on a following line. The syntax available in 2.4a3 requires one decorator per line (in a2, multiple decorators could be specified on the same line), and the final decision for 2.4 final stayed one decorator per line.
The current method for transforming functions and methods (for instance, declaring them as a class or static method) is awkward and can lead to code that is difficult to understand. Ideally, these transformations should be made at the same point in the code where the declaration itself is made. This PEP introduces new syntax for transformations of a function or method declaration.
In England, little is known of the trade and its structures before the late 13th century, at which paint guilds began to form, amongst them the Painters Company and the Stainers Company. These two guilds eventually merged with the consent of the Lord Mayor of the City of London in 1502, forming the Worshipful Company of Painter-Stainers. The guild standardised the craft and acted as a protector of the trade secrets. In 1599, the guild asked Parliament for protection, which was eventually granted in a bill of 1606, which granted the trade protection from outside competition such as plasterers.[2]
Painting is an important form in the visual arts, bringing in elements such as drawing, gesture (as in gestural painting), composition, narration (as in narrative art), or abstraction (as in abstract art).[2] Paintings can be naturalistic and representational (as in a still life or landscape painting), photographic, abstract, narrative, symbolistic (as in Symbolist art), emotive (as in Expressionism), or political in nature (as in Artivism).